STUCKIST QUOTES
FLOYD
ANTHONY ALSBACH, Missouri Valley RICHARD
BLEDSOE, Arizona JOHN
BOURNE, Wrexham Mark
D , Nottingham GUY
DENNING, Bristol Who's
to say that craft based art isn't 'conceptual'. 'Conceptual' isn't a
medium EAMON
EVERALL, London ELLA
GURU, London PAUL
HARVEY, Newcastle ABBY
JACKSON, London I
always start with an idea. If I don't have that, I don't paint. EDGEWORTH
JOHNSTONE , London Stuckism,
with more resistance than help from the media and art establishment,
includes work I consider amongst the best of the last hundred years.
It
may appear the opposite, and ironic, but Stuckism is the most responsive
art movement to the changes of the modern world. JANE
KELLY, Acton It's a canvas called
Hated Fathers, and it is going to picture the faces of awful patriarchs.
I'm including Earl Haig, who I think was responsible for sending so
many young men to their death in the First World War; Chaim Rumkowsky,
who ran a ghetto in Poland during the Second World War where all the
inhabitants died; Peter the Great, who murdered his son; and Paul Dacre,
the editor of the Daily Mail. BILL
LEWIS, Chatham I do this because
I can’t do anything else and I’ve spent 20 years doing it. People are never
sure if we are being ironic or not. We are not. We are coming from the
heart. PETER
McARDLE, Gateshead Stuckism
is not about being stuck in the past but about taking a different fork
in the road. It’s been called Re-modernism in the Stuckist Manifesto,
and takes the stand that Modernism started off well, but took a wrong
turn and disappeared into pure idea like a puff of smoke. So we’re going
back to take the untravelled fork-in-the-road to pursue art-making that’s
more concrete and accessible to more people, and find out where that
leads us. I have
seen a resurgence of 19th century, classical style painting, but the
Stuckists don’t do that. We don’t all work in the same style or use
the same themes or subject matter. We all choose to be painters, but
not as if rock & roll, television, cars, cinema, jazz, and the whole
20th century never happened. We’re saying, “Let’s use paint to describe
our lives now.” We’re all interested in working representationally,
but not necessarily with realism. CHARLES
THOMSON, London The result of walking
round Tate Modern is not an experience of the marvel of creative profundity
which gives meaning to life, but more akin to the detritus of a dryly
analytical bureaucrat reverting to an infantile stage during an extended
breakdown. It looks like doodles
done by a lobotomised computer. It is only since
photography has removed from painting the need to function as documentation
of the material that painting has come into its own as the true art
form of expression. A photograph is a painting of the outer world. A
painting is a photograph of the inner world. Guardian blog 14.1.13 (scroll down) CHARLES
THOMPSON, Amherst |